Kaira M. Cabañas received her BA in Comparative Area Studies with a focus on Latin America and Western Europe from Duke University; an MA in the History of Art from Yale University; and a PhD in Art and Archaeology with a Graduate certificate in Media and Modernity from Princeton University. She is a recipient of fellowships and grants from the Clark Art Institute; Creative Capital | Warhol Foundation Arts Writers Grant Program; the Getty Research Institute; the Fundação Amparo à Pesquisa do Estado do Rio de Janeiro – FAPERJ; the Museo Nacional Centro de Arte Reina Sofía; the Mellon Foundation; the Dedalus Foundation; the Fulbright Program, among other institutions. Prior to arriving at UF, she held appointments in the Department of Art History and Archaeology at Columbia University and the Departamento de Letras at the Pontifical Catholic University of Rio de Janeiro.
Cabañas is a specialist in modern and contemporary art of the Americas and Europe. Her research and teaching engage a series of aesthetic and cultural debates that situate her work’s significance at the intersection of various disciplines, including art history, film studies, Latin American Studies, and, more recently, transatlantic exchanges in art and psychiatry.
She is the author of The Myth of Nouveau Réalisme: Art and the Performative in Postwar France (Yale University Press, 2013) and Off-Screen Cinema: Isidore Isou and the Lettrist Avant-Garde (University of Chicago Press, 2014). In 2012 she served as guest curator for the exhibition Specters of Artaud: Language and the Arts in the 1950s at the Museo Nacional Centro de Arte Reina Sofía (MNCARS) in Madrid; she also served as the catalogue’s editor. Fernando Castro, an eminent art critic in Spain, named the exhibition one of the year’s top 10 in ABC Cultural.
Cabañas’s writings on art and film in Europe and Latin America have appeared in numerous international magazines and academic journals, including Artforum, October, Grey Room, Les Cahiers du Musée national d'art moderne, Parachute, and Oxford Art Journal. She has also contributed to various museum publications, among them, Mário Pedrosa (MNCARS, 2017), Jean Tinguely (Stedelijk/Kunstpalast, 2016), Mário Pedrosa, an Anthology (MoMA, 2015), Histórias da Loucura: Desenhos de Juquery (Museu de Arte de São Paulo, 2015), Gil J Wolman: I am Immortal and Alive (MACBA/Serralves, 2010), Yves Klein: With the Void, Full Powers (Walker/Hirshhorn, 2010), and Yves Klein: Corps, couleur, immatériel (Centre Georges Pompidou, 2006). She also served as guest editor for the catalogue Seven Circles / Seven Sounds: Lothar Baumgarten, which was published by the Kunsthaus Bregenz in 2009.
Cabañas is currently at work on a study of Brazilian avant-garde artist Flávio de Carvalho.
She regularly contributes to Artforum.
forthcoming: Learning from Madness: Brazilian Modernism and Global Contemporary Art. Chicago: University of Chicago Press, expected 2018.
Off-Screen Cinema: Isidore Isou and the Lettrist Avant-Garde. Chicago: University of Chicago Press, 2014.
The Myth of Nouveau Réalisme: Art and the Performative in Postwar France. New Haven and London: Yale University Press, 2013.
Jacques Derrida, Artaud the MoMA (ed. and afterword), trans. Peggy Kamuf. New York: Columbia University Press, 2017.
Laercio Redondo: Intimacies / Proximidades (ed. and intro). Rio de Janeiro: Museu de Arte Moderna do Rio de Janeiro; Berlin: The Green Box, 2016.
Specters of Artaud: Language and the Arts in the 1950s (ed., intro and afterword). Madrid: Museo Nacional Centro de Arte Reina Sofía, 2012.
Common Love, Aesthetics of Becoming: Columbia University MFA Alumni (ed. and intro). New York: Miriam and Ira D. Wallach Art Gallery, 2011.
Seven Circles / Seven Sounds: Lothar Baumgarten (ed. and preface). Bregenz: Kunsthaus Bregenz, 2009.