Faculty & Staff Directory
Melissa L Hyde
Professor and Director of Graduate Studies
/18th & 19th Century European Art
Biography

Melissa Hyde did her graduate work in the History of Art at the University of California, Berkeley. Her field of specialization is eighteenth- and nineteenth-century European art, with an emphasis on cultural history, gender studies, feminist theory and the history of art criticism. She teaches courses on European art (especially French); and on gender and the visual arts. Hyde has taught in UF's study abroad programs in Paris and Florence. She has been a recipient of the College of Fine Arts Teacher of the Year Award, and was named the College of Fine Arts International Educator of the Year in 2005 and 2011. She was awarded a UF Research Foundation Professorship in 2008-11, and again for 2016-18. This year she is College of the Arts' Teacher-Scholar of the Year, and is the College's nominee for UF's Distinguished Alumni Professor.

Professor Hyde's research and publications focus on gender and visual culture in eighteenth-century France. Her work has appeared in Art Bulletin, and Eighteenth-Century Studies;  books include Making Up the Rococo: François Boucher and his Critics (2006), and several co-edited volumes, the most recent being Rococo Echo: Art, Theory and Historiography from Cochin to Coppola, a collection of essays edited with Professor Katie Scott (Courtauld Institute, London).

Hyde is currently completeing two book projects, both on women artists.  One is entitled, Painted by Herself: Marie-Suzanne Roslin, the Forgotten Académicienne; the other, co-authored with the late Mary D. Sheriff, W.R. Kenan J. Distinguished Professor of Art History, University of North Carolina, Chapel Hill, is entitled Women in French Art. Rococo to Romanticism 1750-1830.  The proposal for this book won the inaugural Mellor Prize, an award bestowed by the National Museum of Women in the Arts (NMWA).

She was a consulting curator for an exhibition on eighteenth- and nineteenth-century women artists entitled Royalists to Romantics, which opened at the NMWA in February 2012, and has written catalogue essays for this and several other exhibitions at the National Gallery, DC, the Nationalmuseum, Stockholm and Cooper Hewitt Museum of Design, NYC and for UF's Harn Museum of Art.  Hyde collaborated with Mary Sheriff as guest curator for an exhibition of eighteenth- and nineteenth-century French drawings from the Horvitz Collection in Boston, entitled Becoming a Woman in the Age of Enlightenment, which will be at the Harn October 3- December 31,  2017, before travelling to other venues.

Prof. Hyde lectures widely in Europe and the US. Her research has been suppored by the American Association of University Women and  the Getty Research Institute. More recently, she has been a fellow at the Clark Art Institute and at the Institut national de l’histoire d’art (INHA), Paris. She has served on the Executive Board of the International Society for Eighteenth-Century Studies. She has been an Advisory Editor for Eighteenth-Century Studies, and is currently an Editorial Board member of H-France and Oxford Studies in the Enlightenment. She is a past president of the Historians of Eighteenth-Century Art and Architecture (HECAA). She is currently second vice- president of the American Society for Eighteenth-Century Studies.

In March 2016, Professor Hyde was one of the organizers of a very productive  Wikipedia Edit-a-thon on Art + Feminism, held at the Harn Museum of Art.  Another edit-a-thon is being planned for March 26, 2017. Hyde is steering commitee chair for  the Harn Eminent Scholar Chair in Art History (HESCAH) Lecture Series.

Selected Publications

Books

Women in French Art: Rococo to Romanticism 1750-1830, co-authored with Mary D. Sheriff (in progress and under contract with NMWA)

Making Up the Rococo: François Boucher and his Critics (Getty Research Institute, 2006)

Edited Books

Other Publications (Recent and Forthcoming)

  • Review Essay: "Vigée Le Brun Exhibition," in Early Modern Women: An Interdisciplinary Journal (April 2017)
  • “Watching Her Step: Women and the Art of Walking after Marie-Antoinette”  in Body Narratives, ed. Susanna Caviglia (Brepols, forthcoming)
  • “Peinte par elle-même? La femme artiste entre autorité et identité au XVIIIe siècle,” in Savoirs, identités et représentations des femmes à l’époque moderne, Ed. Caroline Trotot. (Paris: Garnier, forthcoming). English version in Arts et Savoirs 6 (2016).
  • Marie-Antoinette and Scandal of the Garden-Variety: Portraying the Queen at Petit Trianon” in Disciples of Flora, eds. Pagan, Page & Weltman-Aron (Cambridge Scholars Publishing, 2015): 68-91
  • “The Rococo Dream of Happiness as ‘a Delicate Kind of Revolt,’ in Rococo Echo, eds. Hyde & Scott, (Oxford Studies in the Enlightenment: Voltaire Foundation, 2014): 337-49
  • “Needling: Embroidery and Art in the Hands of the Saint-Aubin,” in Seeing Satire, eds. Elisabeth Mansfield and Kelly Malone, Studies in Voltaire and the Eighteenth Century, (Oxford: Voltaire Foundation, 2013): 107-30
  • “Rendre à Cléopâtre. . . .: art, genre et historiographie” (with Fend & Lafont) in Plumes et pinceaux. Discours de femmes sur l’art en Europe (1750-1850), eds. M. Fend, M.Hyde & A. Lafont, (Les Presses du réel, 2012): 11-51
  • “Beautés rivales: les portraits de Mme Du Barry et de la Reine Marie-Antoinette,” Cultures de cour, Cultures du corps, eds. Catherine Lanoe and Mathieu Da Vinha (Presses de l’Université Paris-Sorbonne & Centre de recherche du Chateau de Versailles,  2011):185-205

Museum Catalogue Essays

  • Becoming a Woman in the Age of Enlightenment: French Art from the Horvitz, co-authored with Mary D. Sheriff, exh. cat.  (The Horvitz Collection, forthcoming, 2017)
  • "Remembering the Ladies: Femmes-Artistes and America from the Early Republic to the Gilded Age,” in America Collects Eighteenth-Century France (National Gallery of Art, Washington DC, May 21-August 20, 2017)
  • “Women and the Nature of Impressionism,”  co-author, Eric Segal, in Monet and American Impressionism (Harn Museum of Art, 2015):
  • “Looking Elsewhere: Women and the Parisian Art World in the Eighteenth-Century,” Royalists to Romantics. Women Artists from Versailles, the Louvre and Other French National Museums (National Museum of Women in the Arts, 2012): 33-41  [Re-published in Swedish in Pride and Prejudice: Women and Artist in France and Sweden 1750-1860 (Nationalmuseum Stockholm,  2012)]
  •  “Rococo Redux: From Diderot to the Goncourts,” in Rococo: The Continuing Curve, exh. cat. (Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York, 2008):12-21.
  • “Painting for the Ladies: Gender and Portraiture in 18th Century Paris,” in Alexander Roslin, (Stockholm Nationalmuseum, 2007): 68-72