Patrice Boyer has taught as an adjunct in art history for the last seven years at USF on both the St. Petersburg and Tampa campuses. She has taught the following courses: Art and Culture, History of Visual Arts I & II, Greek and Roman Art, Renaissance Art, and Nineteenth Century Art History. She graduated from the University of Florida at Gainesville and received an MA in Art History from Case Western Reserve and the Cleveland Museum of Art. She is currently completing the Ph.D. in Art History, with a focus on 18th Century French portraiture. In the summer of 2016, she taught in the USF Paris program, and recently has presented her work at the Southeastern American Society for Eighteenth-Century Studies annual conference.
Elizabeth Cerejido is a PhD candidate in Art History at the University of Florida. Her research interests and academic work reside in the intersection of identity and politics in contemporary Latin American and Latino art, with a focus in Cuban art and its diaspora. Her dissertation aims to narrate other art histories missing from the existing literature on Cuban-American beyond the framework of nation and exile. She is also an independent curator of modern and contemporary Latin American and Latino art. She holds a Masters degree in Latin American Studies from the University of Miami. Cerejido is the creator of a multi-year project, Dialogues in Cuban Art, which brings together Cuban and Cuban-American artists around a series of exchanges, conferences, and exhibition programs funded by a Knight Arts Challenge Grant from the John S. and James L. Knight Foundation.
Helena Chuanyang Chen is a second-year MA student, studying ancient Chinese art and archaeology under Dr. Guolong Lai. Helena majored in History during her undergraduate study and received her BA in Taiwan. She is a member of Phi Tau Phi Scholastic Honor Society, and has participated in several conferences and workshops. She is interested in ancient Chinese funerary art, also the early modern scholarship and antiquarianism.
Ph.D., Management and International Business, Florida International University; J.D. (cum laude), specializing in Public and Private International Law, Washington College of Law at American University; MBA, Queens University; BS, Mathematical Sciences with Concentrations in Physics, Mathematics and Computer Science, Appalachian State University; BA, Germanic Languages and Literature, University of North Carolina at Charlotte.
Dr. Clarke has taught in graduate schools of business, economics, and engineering in Asia, the Caribbean, and the United States, including American University, The University of Florida, Florida International University, Florida Atlantic University, Fudan University, The Ibero American University, The University of Technology, and in the University of North Carolina System. Over the years she has also worked professionally as a manager, consultant, scientist, or engineer in companies such as Michelin Tire Corp., Science Museums of Charlotte, IBM, Duke Energy, Rexham/Bowater, Broadway & Seymour, First Union Corp., and others.
Her research publications have appeared in The Academy of Management Journal, Journal of International Business Studies, Academy of Management Executive, The International Journal of Human Resources Management, Journal of International Entrepreneurship, and The Journal of Eastern European Studies, among others.
Laura R. Colkitt is a doctoral student studying modern and contemporary art with an emphasis on critical theory. Laura received her BA from the University of Pennsylvania and graduated with an MA in art history from University of South Florida. She is a recipient of the Grinter Fellowship. In her research she explores hybridity of cultures in the global age, with a specific focus on the transatlantic connection between Europe, North America and South America. Her MA culminated with an examination of discrete globalization in “From Local to Global: Kama Wangdi Paints Bhutan's Changing Geopolitics” (2015). Recent publications include a book chapter titled “Randomness, Order, and Being” in Sandra Cinto: Acaso e Necessidade (2017) and numerous contributions to exhibition catalogues for the USF Contemporary Art Museum. Before coming to University of Florida, Laura helped curate private art collections. Her advisor is Dr. Kaira M. Cabañas.
Maura Gleeson is a PhD Candidate in Art History. She earned her BA with Honors in Art History from the University of North Florida and her MA in Art History from the University of Florida. Maura's primary area is eighteenth- and nineteenth-century French art with a particular focus on gender identity and representations of 'self'. Her secondary area is Latin American visual and material culture. Maura's research topics of interest include amateur art, female friendship, artist-patron relationships, and political networking. Her dissertation explores these themes through a case study of Hortense de Beauharnais Bonaparte and her extensive web of elite friends and allies during Napoleon's First Empire. Maura's advisor is Dr. Melissa Hyde.
Mark Hodge is a PhD student studying under Dr. Ashley Jones. He received his BA in History from Florida State University in 2010 and an MA in the same from the University of West Florida in 2012. He taught at a public high school for two years before entering the art history program at UF. Mark’s research focuses on Roman sarcophagi from the third and fourth centuries and religious change in late antiquity.
Ryan MacLennan is a PhD student studying under Dr. Elizabeth Ross. He received his BA in both English: Writing and Philosophy from Mount Union College (University of Mount Union) in 2010. He earned his MA in History from New Mexico State University in 2015. Before attending NMSU, Ryan spent time as a music critic. Ryan’s primary research focuses on print culture in the Northern Renaissance and the consumption of food and alcohol. He is also interested in Minimalism and site-specific art of the 1960s and 1970s.
Genia Martinez is a PhD candidate completing a dissertation entitled “Arabic Script in Action: Calligraphy in Senegalese Religious Visual Culture.” She earned her BA at Appalachian State University and her MA here at UF, both in African art history. Genia’s doctoral project explores the multiple forms and contexts of written Arabic in Senegal, a mostly Muslim society where many languages – though rarely Arabic – are spoken. The visual and often material manifestations, symbolic, and practical employment of Arabic among non-Arabic speaking people is crucial to the particular signifying power that the language wields as a visual medium in Senegal. Genia has been awarded FLAS fellowships to study Arabic and Wolof, has spent significant time doing field research in Senegal since 2007, and has presented parts of this research as it has developed at professional conferences since 2009.
Jennifer McAninch received her BA in Art History from Arizona State University and her MA in Art Education from University of Florida, graduating both programs Summa Cum Laude. While studying abroad in Italy, she completed a museum internship at the Basilica of Santa Croce. She also participated in a study of Florentine architecture extending over a period from the Late Medieval through the Baroque. The following year, Jennifer was a member of the archeological crew for the excavation at Piazza Garibaldi in Fiesole, Italy. She is currently in her second year, pursuing a PhD in Art History with a focus on residential art and architecture from the intermediate years of the Roman Empire. Her current research project involves analyzing the design program of a second century maritime villa on the Gulf of Baratti in Populonia, Italy. Jennifer was recently admitted to the Kunsthistorisches Institute in Florence as a visiting scholar and presenter for the upcoming program "The City as Archive." She also served as a 2018 delegate to the national convention of the Archaeological Institute of America. Some of her peripheral areas of interest are Gender Studies in Art, Late Italian Renaissance, Ancient Mesoamerica, as well as Mid Century Modern Art and Architecture.
Carissa Nicholson is a doctoral candidate at the University of Florida in the department of Art History. She received her Bachelors of Arts from Boise State University and a Masters in Art History from the University at Buffalo SUNY, with a thesis on Minoan art. She has worked as senior staff at the Gournia Excavation project and with Olynthus Survey Project. At present, her concentration is on Classical Greek art and archaeology, with a dissertation on representations of the Greek household on painted vases. During the 2016/17 school year, she was granted Student Associate Membership at the American School of Classical Studies in Athens for her year of research.
Clemens A. Ottenhausen is an arts writer and researcher. He started his doctoral degree at the University of Florida in fall 2016 and is the recipient of the Graduate School Fellowship. After qualifying as a master carpenter, he studied philosophy and art history in Trier, Bonn, and Brussels. He graduated from the University of Bonn with a thesis on the exhibition politics of the new Magritte Museum and received his Master degree from the University of Glasgow’s program in “Art History: Art: Politics: Transgression: 20th Century Avant-Gardes” for which he completed a master’s thesis on Peter Downsbrough’s sculptural practice. Clemens has published essays on German postwar architecture (2011) and the work of Cerith Wyn Evans (2013). He has held positions at the Kunstmuseum Stuttgart, the Kunstsammlung NRW, and the Museum Folkwang and also worked for the Bergen Assembly, the Venice Biennial, and documenta. At UF, he continues his research on European and North American art after WWII with a focus on conceptual art and exhibition history. His advisor is Dr. Kaira M. Cabañas.
Rachel Polinsky is a doctoral student in Art History studying ancient Greek art. Rachel received her BA in Art History and Ancient Civilizations from Clark University in 2016 and completed her MA in Ancient Greek and Roman Studies at Brandeis University in 2018. While pursuing her MA, Rachel focused her research on Minoan art and culture which culminated in her MA thesis on the representation of local vs. foreign fauna in Minoan zoomorphic art and the importance of regionally specific identifications for culturally specific animal iconography. Now at UF Rachel is pursuing her interests in ancient Greek art, including the development and transformation of recognizable motifs and iconography, the role and depiction of gender, and the portrayal of narrative in art.
Macarena Deij Prado is a PhD student at the University of Florida in the department of Art History. She received her MA in Art History from the University of Florida (2016) and her BA in the same discipline from the University of Chile (2013). In order to complete her MA thesis, she was awarded a research fellowship from the Center for Latin American Studies at the University of Florida, during which she developed archival research in Cusco, Peru. Before returning to the University of Florida for her PhD, she worked as an art history professor at the Instituto Botticelli para el Arte y la Restauración in Cuernavaca, Morelos, Mexico. Her primary field of study is colonial Latin American Art. She’s especially interested in studying Andean and New Spanish paintings and altarpieces in their relationship to one another and in their original context of display within colonial churches. Before starting her MA at the University of Florida she worked as a curatorial assistant at the Museum of Contemporary Art in Santiago, Chile.
Allison Raper graduated summa cum laude with a BA in history from Winthrop University. In 2014, she received her Master of Science in art history from the University of Edinburgh. Her master’s thesis, “Blood of the Princess: Violence and Gender in the Belles Heures de Duc de Berry’s Saint Catherine Cycle” examined the historical influences on the Limbourg brothers’ distinctive representation of St. Catherine of Alexandria’s martyrdom. Currently, Allison is pursuing her doctorate, specializing in early Renaissance art. She is also interested in medieval art, gender, theology, and fashion history. Allison has presented her research at the Phi Alpha Theta Carolinas Regional Conference, Illinois Medieval Association Conference, and at the University of Oregon’s Graduate Research Symposium in April 2018. She has worked as a teaching assistant for ARH 2000, ARH 2050, and ARH 2051. Her advisor is Dr. Elizabeth Ross.
Kyra Rietveld received her BA Summa Cum Laude from Oakland University and her MA Summa Cum Laude from the University of Florida. She completed her MA thesis entitled The Promotion of Perge as a Stable Political Force: Taking Advantage of the Iconization of Artemis Pergaea, in the spring of 2017. Originally from the Netherlands, she was part of the Oakland University Women’s Swim and Dive team while earning her undergraduate degree. She is the recipient of several academic awards, including the Certificate of Outstanding Achievement from University of Florida, Departmental Honors in Art History at Oakland University, Werner Holzbock Humanities Scholarship, and two Excellence in Writing Awards from the Art History Department at Oakland University. Kyra is currently a PhD student, studying with Dr. Ashley Jones. Her research focuses on depictions of the goddess Artemis used in cult practices across Asia Minor and the Greek Mainland during the Hellenistic period.
Christy is a second-year MA student in Art History, whose research focuses on modern Japanese art and more broadly, the encounters of Japan with the Avant-Garde movement in the nineteenth century and early twentieth century. Christy is especially interested in the Japanese Ukiyo-e prints and the artistic exchange between Japan and the West (Europe and America).
Jennaca Taipalus is from Boulder Colorado. She received her BA from the University of North Florida and in the past, has worked in art conservation labs and galleries. Jennaca is currently working on her Masters degree under the advisement of Dr. Ashley Jones. Her research focuses on early Romanesque art at the turn of the 11th century and the subsequent emergence of apocalyptic sculpture in France.
Leslie E. Todd is a current PhD candidate in the Art History department working under Dr. Maya Stanfield-Mazzi. Her primary field is the art of Colonial Latin America and her secondary area is Pre-Colombian art history. Her dissertation focuses on wooden polychrome sculpture dating to the second half of the eighteenth century from Quito, Ecuador, a major center for sculpture making in colonial Spanish America.
Todd received her MA in Art History from the University of Florida, and BA in Spanish and Art History from Southern Methodist University in Dallas, Texas. Her fellowships include a Fulbright-Hays Doctoral Dissertation Research Abroad Fellowship for study in Quito, Ecuador, and a four-year Graduate School Fellowship at the University of Florida. She was awarded the Alianza-Mayer scholarship in March 2016 for two weeks of research at the Denver Art Museum where she accessed the collection of Ecuadorian sculpture in the museum’s reserves. She has also received a Foreign Language and Area Studies award for the study of Brazilian Portuguese and awards for her writing from the University of Florida College of the Arts, poster awards at university-wide and statewide competitions, a Libby Award for excellence in Art History in the School of Art and Art History at the University of Florida, and, most recently, a James J. Rizzi scholarship for excellence in Art History at the University of Florida.
Melina Tsalikis is an MA student who completed her undergraduate degree in Studio Arts at Florida International University in 2016. During her graduate studies she will be focusing on nineteenth-century European art, with special interest in French Impressionism.
Lauren Walter is a third-year PhD student, studying eighteenth- and nineteenth-century French art with an emphasis on gender studies. After receiving her BA from Marymount College in New York, she began her MA in Art History at UF. Her MA culminated with an examination of representations of women in the public sphere in “Manet, Tissot, and Béraud and the Unattended Woman in Nineteenth-Century France” (2015). In her current research Lauren explores female friendship and cultural exchange between France and England. Outside of UF, she has helped with several exhibitions at the Art Institute of Chicago, including Impressionism, Fashion, and Modernity (2012) and Gauguin: Artist and Alchemist (2017). She recently presented her paper “Doctor, I Think They Have a Case of Anglomanie: Friendship and Fashion in the Portraits of Marie Antoinette and the Princesse de Lamballe” at the American Society for Eighteenth-Century Studies. Her advisor is Dr. Melissa Hyde.