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April 1-3, 2004
University of Florida
Composer-in-Residence, Alvin Lucier
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Alvin Lucier was born in 1931 in Nashua, New Hampshire. He was educated in Nashua public and parochial schools, the Portsmouth Abbey School, Yale, and Brandeis and spent two years in Rome on a Fulbright Scholarship. From 1962 to 1970 he taught at Brandeis, where he conducted the Brandeis University Chamber Chorus which devoted much of its time to the performance of new music. Since 1970 he has taught at Wesleyan University where he is John Spencer Camp Professor of Music. Lucier has pioneered in many areas of music composition and performance, including the notation of performers' physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes. His recent works include a series of sound installations and works for solo instruments, chamber ensembles, and orchestra in which, by means of close tunings with pure tones, sound waves are caused to spin through space.
Mr. Lucier performs, lectures and exhibits his sound installations extensively in the United States, Europe and Asia. He has visited Japan twice: in 1988 he performed at the Abiko Festival, Tokyo, and installed MUSIC ON A LONG THIN WIRE in Kyoto; in 1992 he toured with pianist Aki Takahashi, performing in Kawasaki, Yamaguchi and Yokohama. In 1990-91 he was a guest of the DAAD Kunstler Program in Berlin. In January 1992, he performed in Delhi, Madras, and Bombay, and during the summer of that year was guest composer at the Time of Music Festival in Vitaasari, Finland. He regularly contributes articles to books and periodicals. His own book, Chambers, written in collaboration with Douglas Simon, was published by the Wesleyan University Press. In addition, several of his works are available on Cramps (Italy), Disques Montaigne, Source, Mainstream, CBS Odyssey, Nonesuch, and Lovely Music Records.
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In October, 1994, Wesleyan University honored Alvin Lucier with a five-day festival, ALVIN LUCIER: COLLABORATIONS, for which he composed twelve new works, including THEME, based on a poem by John Ashbery and SKIN, MEAT, BONE, a collaborative theater work with Robert Wilson. In April, 1997, Lucier presented a concert of his works on the MAKING MUSIC SERIES at Carnegie Hall and in October of the same year his most recent sound installation, EMPTY VESSELS, was exhibited at the Donaueschingen Music Festival in Germany. Recently, DIAMONDS for three orchestras was performed under the direction of Petr Kotik at the Prague Spring Festival, 1999.
In March 1995, REFLECTIONS/REFLEXIONEN, a bi-lingual edition of Lucier's scores, interviews and writings was published by MusikTexte, Koln.
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James Paul Sain, DIRECTOR AND FOUNDER
Paul Koonce, ASSOCIATE DIRECTOR AND CO-HOST
Samuel J. Hamm, Jr., ASSOCIATE DIRECTOR FOR NATIONAL RELATIONS
Javier Alejandro Garavaglia, ASSOCIATE DIRECTOR FOR INTERNATIONAL RELATIONS
Joo Won Park, GENERAL MANAGER
Chan Ji Kim, ASSISTANT MANAGER
Mark Quathamer & Mark LoRang, TECHNICAL CO-DIRECTORS
Michael Deall, PROGRAM COORDINATOR
Gina Wilson & Russell Brown, ASSISTANT PROGRAM COORDINATORS
Sonya Stahl, REGISTRATION AND HOSPITALITY
Jyoti Deo & Daniel Coe, FINANCIAL OPERATIONS CO-MANAGERS
Laura Donovan, Sa Woo Lee & Ryan Spence, AUXILLARY STAFF
Shamus Jary McConney, LIGHTING DESIGN
Marc Shahboz, GRAPHIC DESIGN
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Festival support is provided by the University of Florida School of Music, the Univeristy of Florida College of Fine Arts, and the University of Florida Office of Research and Graduate Programs. Special thanks to Dr. Charles Young, President, the University of Florida, Dr. John Duff, Director, the University of Florida School of Music, Dr. Donald McGlothlin, Dean, University of Florida College of Fine Arts, and Dr. Winfred Phillips, Dean, the University of Florida Office of Research and Graduate Programs and Vice President for Research.
Festival Rehearsal Schedule
These rehearsal times are preliminary and should be used for initial reference only.
Check here for a description of the performance sound system and speaker placement
Festival Schedule
After a dozen years of service, the Florida Electroacoustic Music
Festival enters its 13th year of bringing together an international
rostrum of today's electroacoustic composers to present their
cutting-edge music. Past composers-in-residence have included world
renowned composers Hubert S. Howe, Jr., Cort Lippe, Gary Nelson, Jon
Appleton, Joel Chadabe, Larry Austin, Barry Truax, Richard Boulanger,
Paul Lansky, and James Dashow.
April 1, 2004
Concert I
Electroacoustic Music from FEMS
Joo Won Park, curator
Thursday, April 1, 2004, 10:00 a.m.
University of Florida Center for the Performing Arts Black Box Theater
Door Variations | Sam Hamm |
Doing Tai Chi while Drinking Chai Tea | Pat Pagano |
Under21 | Russell Brown |
Isolation | Sa Woo Lee |
Sirocco | Gina Wilson |
Flowing Surface | Mark Quathamer |
The Search | Chan Ji Kim |
Decrescendo | Joo Won Park |
Listening Session
Works of Alvin Lucier
Thursday, April 1, 2004, 12:00 p.m.
University of Florida Center for the Performing Arts Black Box Theater
Sound As A Spatial Phenomenon |
Concert II
Electroacoustic music from the Dartmouth College
Eric Lyon & Jon Appleton, curators
Thursday, April 1, 2004, 3:00 p.m.
University of Florida Center for the Performing Arts Black Box Theater
la primavera del angel | Irina Chernova |
#16 Canon In One Octave For Arthur Farwell | Larry Polansky |
la primavera del angel | Irina Chernova |
Megaphone Lunch | Owen Osborn |
Narita Airport Rock | Jon Appleton |
metro brothers | Masaki Kubo |
K | Bruno Ruviaro |
Concert III
Juried Concert A
Thursday, April 1, 2004, 8:00 p.m.
University of Florida Center for the Performing Arts Black Box Theater
Crack | Mikel Kuehn |
Lullaby | Matthew McCabe |
Psyntax | Neil Flory |
Copper Islands | Kristine Burns |
(after) | Benjamin Broening |
Dreams in the Desert | Elainie Lillios |
Liberation #1 | Eric Lyon |
In Memory of a Friend | David Durant |
Derailed | Michael Thompson |
Ruckamuck | Mark Wingate |
April 2, 2004
Concert IV
Juried Concert B
Friday, April 2, 2004, 10:00 a.m.
University of Florida Center for the Performing Arts Black Box Theater
Qin Music | Cristopher Ewing |
Signs | Kari Besharse |
Design | Jeff Heriott |
Sextuple Entendre | Christopher Penrose |
Plastetik | Matthias Ockert |
A Butterfly in Tokyo | Troy Rogers |
Metalisson | Edward Martin |
True Nature | James Croson |
Run on sentence of the pavement | Paula Matthusen |
Concert V
Electroacoustic Music from The Barton Workshop
James Fulkerson, curator
Friday, April 2, 2004, 3:00 p.m.
University of Florida Center for the Performing Arts Black Box Theater
in memoriam Stuart Marshall | Alvin Lucier |
The Flight of the Lead Balloon | Jos Zwaanenburg |
Solo I and Solo II (simultaneously) | Jakob Ullmann |
nubes nocturnas | Orlando Jacinto Garcia |
Force Fields and Spaces, Part 1 | James Fulkerson |
Geding | Rene Uylenhoet |
The Barton Workshop
Jos Zwaanenburg, flutes and electronics
John Anderson, clarinet/bass clarinet
James Fulkerson, trombone and electronics
Concert VI
Juried Concert C
Friday, April 2, 2004, 8:00 p.m.
University of Florida Center for the Performing Arts Black Box Theater
Collide | Butch Rovan |
TILT | Colby Leider |
Quintuple Escapement | William Kleinsasser |
Allamuchy | Elizabeth Hoffman |
Ableitungen des Konzepts der Wiederholung (for Ala) | Javier Alejandro Garavaglia |
De Ligno Chalybeque | Konstantinos Karathanasis |
Afterimage 3 | Ronald Keith Parks |
April 3, 2004
Concert VII
Juried Concert D
Saturday, April 3, 2004, 10:00 a.m.
University of Florida Center for the Performing Arts Black Box Theater
Opposed Directions | HyeKyung Lee |
Love Song | Paul Rudy |
In Memoriam | Jonathan Hallstrom |
T equals Zero | Jeung-Yoon Lee |
Terma | Craig Walsh |
Everything We Say is Deformed | Mark Zaki |
Soave Sia Il Vento | David Kim-Boyle |
The Castle of Otranto | Christopher Cook |
Retour | Peter Traub |
Landfall II: Flaming Skull | McGregor Boyle |
Concert VIII
Electroacoustic Music from Europe
Javier Garavaglia, curator
Saturday, April 3, 2004, 3:00 p.m.
University of Florida Center for the Performing Arts Black Box Theater
Points of Continuation | Simon Emmerson (UK) |
gone - urban flashback | Karl-Heinz Blomann (GER) |
Tusalava | PerMagnus Lindborg (SWE) |
Interval |
Penmon Point | Andrew Lewis (UK) |
INKAN - digital version | Frank Niehusmann (GER) |
Concert IX
Juried Concert E
Saturday, April 3, 2004, 8:00 p.m.
University of Florida Center for the Performing Arts Black Box Theater
at last... Free | Richard Boulanger |
A Prayer Before Dying | Jeffrey Stolet |
Where Does Love Go? | Mark Engebretson |
Family Stories: Sophie, Sally | Anna Rubin & Laurie Hollander |
Vox Magna | Pete Stollery |
Iridescence | Hubert S. Howe, Jr. |
Music For Contrabass and Computer | Cort Lippe |
Tåg till... | James Paul Sain |
Anacrusis | Paul Koonce |
Bar Lazy J | Alvin Lucier |
Additional Events
Instalation No. 1
Thursday, April 1, 2004, 6:00-10:00 p.m.
University of Florida Center Harn Museum of Art
Music On A Long Thin Wire | Alvin Lucier |
Convocation Lecture/Recital
Presentation by Composer-In-Residence, Alvin Lucier
Friday, April 2, 2004, 12:50 p.m.
University of Florida Music Department, Room 120
Four Old Friends: The Sonic Arts Union |
Instalation No. 2
Saturday, April 3, 2004, 1:00 p.m.
University of Florida Keene Faculty Center
I Am Sitting In A Room | Alvin Lucier |
The above schedule is not in final concert order; this program is subject to change without prior notification.
Rehearsal schedule will be set based on information contained on the returned confirmation and festival registration forms.
Official Hotel Reservations:
University of Florida Hotel and Conference Center
1714 S.W. 34th St.
Gainesville, FL 32607
(352) 371-3600 voice
(352) 371-0306 fax
NOTE: mention that you're with the Florida Electroacoustic Music Festival for the festival rate: King $95/Double-Double $95 (plus 7% sales tax and 3% occupancy tax).
Cut off date for reservation: March 1, 2004
(after this date, reservation and special rate will not be honored)
For more information the University of Florida Hotel and Conference Center point your browser to their home page at:
Festival Registration Forms:
A downloadable version of the FEMF13 Registration Form will soon be available at:
Cut off date for pre-payment: March 5, 2004 (receipt)
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