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Fifteenth Annual
Florida Electroacoustic Music Festival
April 6-8, 2006
University of Florida
Composer-in-Residence, John Chowning
Osgood Hooker Professor of Fine Arts and Professor of Music, Emeritus
Stanford University
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John M. Chowning was born in Salem, New Jersey.
Following military and university studies, he studied composition in
Paris for three years with Nadia Boulanger. With the help of Max
Mathews of Bell Telephone Laboratories and David Poole of Stanford, he
set up a computer music program using the computer system of Stanford's
Artificial Intelligence Laboratory in 1964. His initial research led to
the first generalized sound localization algorithm implemented in a quad
format in 1966. The same year he received the doctorate in composition
from Stanford University, where he studied with Leland Smith who then
joined Chowning in the computer music research. In 1967, Chowning
discovered and developed an algorithm for generating complex sounds
using frequency modulation (FM). This breakthrough in the synthesis of
timbres allowed a very simple yet elegant way of creating and
controlling time-varying spectra. Inspired by the acoustic and
perceptual research of Jean-Claude Risset in the domain of timbre, he
worked toward turning this discovery into a system of musical
importance, using it extensively in his compositions. In 1973 Stanford
University licensed the FM synthesis patent to Yamaha in Japan, leading
to the most successful family of synthesizers in the history of
electronic musical instruments.
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John Chowning has received fellowship grants from the National Endowment
for the Arts and was artist-in-residence with the Kunstlerprogramm des
Deutschen Akademischen Austauschdiensts for the City of Berlin in 1974,
and guest artist in IRCAM, Paris in 1978, in 1981, and in 1985. His
compositions have been recorded on compact disc, WERGO 2012-50. In 1983
he was honored for his contributions to the field of computer music at
the International Computer Music Conference in Rochester, New York. He
was elected to the American Academy of Arts and Sciences in 1988. He
was awarded the Honorary Doctor of Music by Wittenberg University in
1990. In 1992 he was given The Osgood Hooker Professorship of Fine Arts
by the School of Humanities and Sciences at Stanford. The French
Ministre de la Culture awarded him the Diplôme d'Officier dans l'Ordre
des Arts et Lettres in 1995 and he was given the Doctorat Honoris Causa
December 2002 by the Université de la Méditerranée in Marseille.
Chowning taught computer-sound synthesis and composition at Stanford
University's Department of Music and was founder and director of the
Center for Computer Research in Music and Acoustics (CCRMA), which
continues to be one of the leading centers for computer music and
related research.
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About the Florida Electroacoustic Music Festival
After fourteen years of service to the profession, the Florida Electroacoustic Music
Festival enters its 15th year of bringing together an international
rostrum of today's electroacoustic composers to present their
cutting-edge music. Past composers-in-residence have included world
renowned composers Hubert S. Howe, Jr., Cort Lippe, Gary Nelson, Jon
Appleton, Joel Chadabe, Larry Austin, Barry Truax, Richard Boulanger,
Paul Lansky, James Dashow, and Mort Subotnick.
James Paul Sain and Paul Koonce, Co-hosts
Call for Works
A call for electroacoustic art music works that fit into one of the following categories:
media formats supported:
Audio
- CD
- 16 and 24 bit RDAT
- Tascam DA88/DTRS
- Alesis ADAT XT20
- 1/4" 1/2 track tape
- 1/4" 4-track tape
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Video (NTSC)
- DVD
- VHS
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for submitted work(s):
NOVEMBER 1, 2005
Works using live performance must be accompanied by a tape of a performance or high quality realization.
All submissions must include performance materials in one of the media listed above, performance parts and/or a score, a brief biography (75-100 words), program notes (100 words or less), and required submission form. Biographies or notes in excess of the maximum will be truncated. Incomplete submissions will not be considered. Please indicate whether the composer can provide the performer(s). Contact information on the required submission form must include a phone number, address, and if available, an email address, web site, and fax number. A self-addressed stamped envelope (SASE) is required for the return of all materials (or international postal response return coupons). Materials not accompanied by a SASE will become property of the Florida Electroacoustic Music Studio.
Composers may submit no more than two compositions for performance consideration on the festival.
Composers selected for performance are required to attend the festival; this is to provide the festival with a sense of community. The festival is unable to provide travel grants or honoraria.
Should a composer be unable to attend the festival their work will not be presented.
Call for Papers
A call for papers, studio reports, and lecture/demonstrations dealing with the technology, musicology, and/or aesthetics of electroacoustic music.
Submissions from all current areas of research are encouraged. Possible topics include: acoustic ecology, interactive composition/synthesis, algorithmic composition, new musical interfaces, and new synthesis/processing techniques. Authors selected will be given 30 minutes to present their paper (20 minutes for delivery, and 10 minutes for questions and answers).
for submitted paper(s):
NOVEMBER 1, 2005
Three copies of the completed paper, studio report, or lecture/demonstration abstract must be accompanied by a brief biography of 75-100 words and a contact sheet (abstract and biography should be promptly available on data CD or via electronic transmission upon selection). Biographies in excess of the maximum will be truncated. Contact information sheet must include a phone number, address, and, if available, email address, web site, and fax number. All submitted papers will become part of the Florida Electroacoustic Music Studio Library.
SEND SUBMISSIONS OR INQUIRIES TO:
Dr. James Paul Sain, Director of Electroacousic Music
University of Florida School of Music
P.O. Box 117900/130 Music Bldg.
Gainesville, FL 32611-7900
(352) 392-0223 ext. 240/voice
(352) 392-0461/fax
( femf15@arts.ufl.edu)
More information on the electroacoustic music program at the
University of Florida and the Florida Electroacoustic Music Studio can
be found at:
The University of Florida is located in the North Central Florida city of Gainesville. Gainesville is served by Delta Airlines (via American Southeast Airlines), USAir Express and Northwest Airlines. The city is approximately 2.5 hours drive by car from Jacksonville, Tallahassee, Orlando, and Tampa, Florida. Airport shuttle service can be provided by the festival hotel for transportation from/to the Gainesville Regional Airport (but not to other area airports).
submission form [pdf 94k] [pdf.sit 91k] [pdf.tar 89k] [pdf.zip 89k]
Completed program will be availble in December, at http://emu.music.ufl.edu/femf/fest15prg.html
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